Archive for demonstration

From the Graveyard

Posted in Uncategorized with tags , , , , , , , , , , , , , on October 28, 2010 by Eldon

It’s not what the title might lead one to believe with Halloween just around the corner but Fright Day IS coming and I’ll post some weird stuff for everyone in a few days in honor of that frightful occasion but for now I’ll post a piece from the tractor graveyard.

I was in Pueblo a week or so ago and was exploring South East of the city hoping to find a place to set up my easel and maybe take a few photographs.  Seems I got skunked in the painting arena but I did manage a few photos. This painting was done from a photo I took as I passed Mr. No Trespassings place. I think the guy is a little narrow minded (for the record I think there should be a law passed allowing an artist to have access to anything anywhere anytime) but what the heck, my camera gets things to come up close, so I stuck it as far across the fence as I could and snapped a photo of what I call a real tractor.

David Leffel showed me this block in method of getting a painting started several years ago. A while back I saw another artist doing the same thing so Naturally I thought I’d see if I could make it work with this old tractor.  🙂

The under painting is just Alizarin Crimson and the block in is a mixture of that and Sap Green. It makes a heck of a Burnt Sienna. Anyway, once the initial block in was finished I just started modeling the tractor to be more and more dimensional. The block in lead to color and I just kept modeling and refining shapes until it seemed the plan had come together. It was fun.

No title yet. I’m considering “Lurch”. Not because it can but because it wants to.

Evergreen Demo

Posted in Uncategorized with tags , , , , , , , , , , on March 7, 2010 by Eldon

Today I drove out to Evergreen and did a demonstration painting at Stoneheart Gallery.

This is what became of it. Mark, the owner of the gallery showed me how to better prepare these photos for the blog. I hope I’ve learned well enough that one could see an improvement over what used to be. (Thank you Mark) These computers are wonderful things if you know what you’re doing I guess. And about half the time I’m lost. Much to the dismay of those of whom I ask dumb questions. But….

…..I can paint a hell of a painting. It makes up for being a little short on the computer end of this business. I hope you enjoy this one, it just kind of came off the brush and made my life easy. I love it when a plan comes together.

EW

And Black

Posted in Uncategorized with tags , , , , , , , on November 21, 2009 by Eldon

Alright, I added black to my palette. There!  In addition to those other new colors  mentioned last week I’ve also added black.  I know, I know, ya never use black. “You can mix GREAT! darks with out using black”.  Right?    Right!.   But one can mix great darks using it too. Sargent used it. Velazquez used it. David Leffel uses it. Jeff Watts uses it.

And boy oh boy does Jeff Watts use it! I may be overstating  just a bit but sometimes it seems like every other trip to the palette finds Jeff digging into that huge pile of black. Jeff also puts his black right next to the white and normally has a little bit of gray mixed in between the two.

The detail above is from a 5×7 inch piece I did the other night. That dark color is mixed using black and bright red. Almost edible. It’s a combination I see Jeff using all the time and I did this little painting just so I could mix some of it.

I’ve watched, over and over again, Jeff ‘s Gesture Portrait  video. I’m trying very hard to emulate what I see him doing.  As best I can I use the same tools, color, brush work etc. so I can more readily get a feel for what he’s doing and his thought process. It’s working. I’m having a great time and I can already see it coming around to my way of application. As it should I suppose.

A huge perk from doing these things is the mixing of new color I’ve not gotten into before. Flesh tones intimidate me. At least they did until recently when I heard Mr. Watts describe the process. He says mixing flesh tones “is the easiest thing” in the world to do. Red, yellow and white. Any Red, any Yellow and White. I’d never heard it said. Go figure.

He’s right. It’s pretty easy.

Happy days!!

EW

Triple Stack

Posted in Uncategorized with tags , , , , , , , , , , on November 8, 2009 by Eldon

I saw this approach on another blog a few days ago where the artist cropped an image and then blew up the crop. She did it a couple of times until anyone looking at the piece got a close up of part of the original painting. What I got from it was a chance to get nearly nose to nose with some of the brush strokes in important areas. Neat idea. So here is my version to get you up close.

12x9 oil on canvas

This image took me  a while longer than the half hour Jeff Watts takes to do his “gesture portraits”. I suppose in time I’ll be coming in closer to that time but for now all that seems important is getting a feel for what I’m doing, then getting my times down later. That and I don’t want a bunch of half finished paintings cluttering the place up.

detail

A little more in your face and giving you a better idea of the surface of the painting and the brush work. This piece is pretty rough. The paint was applied with an old cheap brush giving each stroke a sort of stringy textured appearance.

detail

Some of you may have a way to blow this view up even further. If you can, give it a shot and see the abstract quality of a very small area. It gets kind of chicken scratchy at that point. Have fun and we’ll see ya next week. Who knows what will crop up between now and then.

EW

A Progression

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , on October 25, 2009 by Eldon

12x24 oil on canvas

This is the start of a landscape I’ve been trying to get to for a while.

What I concentrated on most with the upper area was painting space and getting the landscape to go as far into the distance as I could get it to go. I began with the darks of the pine trees close up and painted them lighter and a little more gray as they went back into the picture plane. Beyond that, in the row of trees further back and the hill sides, I painted with a lot less detail and a lot of grayed color to keep things going away into the distance. I brushed in the sky and clouds even more pale  but fairly light as the sky in that area holds the light source for this piece.

Then I pulled back and painted the brush along the river banks. The color here is warmer and I’ll keep painting warm as I get back closer to the foreground. The red/brown shadows of the pine tree are my first intrusion into this area.

12x24 oil on canvas 100_4250

This bright blue (cobalt + white) area in the water is warmed with a bit of alizarine crimson and brushed in pretty quickly. This passage is going to give me something to paint into (wet into wet) with some of the sky color a little later.

I also darkened those shadows on the water cast by the pine trees. The light source is behind the trees and the trees are casting a shadow onto the water. When the light source is directly behind an object, in this case the pine trees, a shadow is cast into the foreground. The shadows cast on to  water blocks a reflection from the sky and lets someone from this point of view see down into the water to the bottom of the river bed. The color here seems to be very warm and rusty. Also I laid in the foliage lower right keeping the same concept in mind of warmer color up front, cooler in the distance.

12x24 oilon canvas 100_4252

Here is where I began painting wet, lighter color into the water. I’ve also started painting in some reflections and color from the sky. The shadows on the water were a little hard edged so I took this opportunity to soften edges and get them to become more a part of the surface of the water.

12x24 oil on canvas 100_4253

Next the base color for the sand bar. I’ll use this base like I did the blue in the water. I’ll paint back into it wet in wet and develope the textures and shapes of the rocks in that area.

detail 100_4254

detail 100_4255

detail 100_4256

The above three details show how I worked my way across the sand bar. Up close it simply looks a little lacy but takes on shape and detail as the viewer gets further away from the piece. I used a round to do the detail in this are. (I’ve only recently found that a flat isn’t the only brush in the world.)

12x24 oil on canvas 100_4264

Now the painting is more or less complete. I’ve finished the sand bar and placed a few details in the trees such as the trunks and a few branches. The trunks on the left and close up are warmer and a little more distinct than those on the right. My center of interest was put in last.

Happy Daize!!

EW

Druuuuum Rolllll!!!!!

Posted in Uncategorized with tags , , , , , , , , on October 25, 2009 by Eldon

Introducing!!   Debra!

And what she does when she’s being creative.

debrawire wrap

wire wrap

Debra is my wonderful wife. One of her favorite pass times and method of relaxing is to do wire wrap jewelry. She’s been doing it for about five years now and is getting pretty dang good. Most of the time she uses copper or silver wire to wrap anything from glass beads to semi precious stones. She buys the stones already finished and puts a nice wire wrap design on it. The pink stone above is a died stone and the necklace portion is made with pearls, lapiz and died shell.

And she digs tools.

And on the American Impressionist Society front Mitch Baird won Best of show!!   AIS <—– This is a link to the online catalog. Congratulations Mitch!  His piece, “Morning Ensigns, Italy” is one heck of a painting. The judging must have been tough because there was a lot of really great work. Scroll down a ways in the catalog to see my personal favorite “Coyote Valley” by Nancy MacDonald.     Sweet!

I’m working on a piece right now that I’ve been photographing as I go. I’ll post a progression as soon it’s finished. It’s about there so it won’t be too long. Perhaps tomorrow.

Later!  🙂

EW

American Impressionist Society

Posted in Uncategorized with tags , , , , , , , , , , , , , on October 16, 2009 by Eldon

Hey! The American Impressionist Society show is being held in Denver this year at Saks Galleries. I managed to sneak one in and delivered it today. The opening is this next Friday, Oct. 23rd from 5 to 8 p.m. The location is:  Saks Galleries, 3019 E. 2nd Ave, Denver, Colorado. I know all the folks around here close have seen my stuff already but beyond that it would be a great opportunity to see some of the best impressionist work from around the country. There were nearly 700 entries and 189 pieces were juried in so the show is no doubt going to be a good one. So….. I’m looking forward to seeing a bunch of you locals and near locals at the show. Quang Ho is judging.

For all of you but  especially for those way outta town the link above will take you to the Saks Galleries web site. In the lower left corner of the opening page is a big white dot with the letters AIS inside.   Click on that for a preview of the entire show. I’m impressed.

And below, offered as a bit of proof that I’m getting back on my feet after surgery and getting something done in the studio are a couple of paintings. One is a plein air that kinda went south the day I did it and the other is a remake of it  I think to be nearly finished.

First (some of you may remember this one from an earlier post) the not so great plein air:

12x16 oil on canvas

And following is the 18×24 piece done from the plein air.

18x24 oil on canvas

A big improvement so I guess the time spent in the field wasn’t a waste. The original had a couple of people in it so I put them in here as a matter of following my own lead. I’m not sure though if they are actually right for this piece. What I’m thinking of is to paint them out and place in a few cows instead. There’s something peaceful (for me at least) about looking into a pasture and seeing a few cows just grazing away, quiet, no cares, no hurry, nothing but time. And the evening is my favorite time of day.

EW